Daphné Corregan at the Corobrik National Exhibition 2012
“I’ve chosen Delphine Niez work for the first prize for exactly those reasons. When I looked at this very white, modest, fragile, almost organic coral-like sculpture and literally isolated it from its initial plinth, I saw something different. I saw crumbling Elizabethan ruff collars and the fragility of it made even more sense, almost a reflection on our society. Not only is it a beautiful object but also it appears to question something deep.”